NRS Returns to the Scene with a Dark and Sinister Psytrance banger: “Pot Mode Jumper”
After a hiatus from the music scene, acclaimed electronic artist NRS makes a triumphant return with his latest offering, “Pot Mode Jumper.” The track, set to release on May 31st, marks NRS’s first release in several years and signals a bold new chapter in his musical journey.
“Pot Mode Jumper” captivates listeners with its haunting melodies, pulsating basslines, and intricate psychedelic layers. Inspired by the darker realms of psytrance, the track transports listeners on an exhilarating sonic journey, blending hypnotic rhythms with a sinister edge.
Speaking about his return to music, NRS expressed his excitement: “I’ve been itching to get back into the studio and share new music with my fans. ‘Pot Mode Jumper’ is a reflection of my evolution as an artist and my passion for pushing sonic boundaries. I can’t wait for everyone to experience it.”
With its enigmatic title and electrifying soundscapes, “Pot Mode Jumper” promises to leave a lasting impression on psytrance enthusiasts and electronic music aficionados alike. NRS’s meticulous production and penchant for innovation shine through in this captivating release, reaffirming his status as a trailblazer in the genre.
Prepare to immerse yourself in the dark and hypnotic world of “Pot Mode Jumper” as NRS makes his long-awaited return to the forefront of electronic music.
PREVIEW
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INTERVIEW
What inspired you to return to producing Psy-Trance after such a prolonged hiatus?
I started producing psy again before lockdown, mainly slow progressive stuff but I was missing the faster tempo and energy. One day I went through all my old unfinished tracks and found some stuff I really liked. I knew I should start producing this style again. Now I am obsessed once more and wonder why it took so long.
Can you tell us about the creative process behind your upcoming track “Pot Mode Jumper”?
I was taking a PC apart and printed on the motherboard, was Pot Mode Jumper. I wanted to make something dark and ominous and I had this idea for the intro and the choir then I made the stabs. I got the vital synth and made some parts for the break and the direction of the track started to come together. I like SciFi and was going for something creepy and creaky that sort of swayed like a rocking boat for the breakdown. The main abstract riff in the 2nd drop was some heavily processed drums that made this crazy effect. I went through many many versions and wrote lots of parts trying to get the flow right and make the last section as powerful as the rest. I listened to them over and over again until I figured it out. Eventually it all came together. I sent it to Deon and he loved it and it took another month to complete.
How do you feel your sound has evolved since your last release in the Psy-Trance genre?
Well I hope its more immersive and better produced. In my head I am still doing the same thing so that’s a weird thing to define. I’d like to think of it as a continuation of the Last Possible Solution sound.
What drew you to sign with Diss Master Records for this comeback release?
I have known Deon for a long time. We both have similar taste and I am a big fan of Damage, so it seemed like the obvious choice. I like his attitude for the label and it’s a good opportunity to collaborate again. It’s great to be doing a remix for him, been a long time since we worked together. Far too long plus he is giving me free beer for life.
Are there any particular themes or messages you hope to convey through your music with “Pot Mode Jumper”?
I got a Fuck The New Normal t-shirt made during lockdown and a lot of people liked it, so I thought it would be a good sample to add to a track. Fitted the vibe well. Its a similar theme to a lot of my other music, SciFi memes and non conformity in a dystopian world.
How do you approach incorporating new technologies or production techniques into your music?
I have not really changed the way I produce that much. Have always been into sampling and mangling sounds so I tend to create a lot of random parts which I try and chop up and put together. Often ending up with far too many ideas and I have to sift through it all. That can take a while. I spend a lot of time on each track and sometimes I end up splitting them into two or more to try and make them more coherent. I try and finish everything I start even if it takes years. Modern tech has allowed many more tracks and options which is great, but too many choices don’t always help.
What challenges did you face while creating “Pot Mode Jumper,” and how did you overcome them?
The main thing is selecting and creating the sounds I hear in my head. Something fresh that I haven’t used before that keeps my attention. I have a lot of weird dreams about music and wake up trying to put it into the tracks before I forget. That is almost impossible, so it comes down to creating enough quality parts for each track and sequencing them without losing the original idea.
Can you share any memorable moments or experiences from the production of this track?
Getting the track accepted was a big thing for me, having not released for a long time. The circuit boards blew in three of my speakers. I managed to find replacements and bought a different set, but it took a while to get used to mixing on them. Finishing and getting a track mastered is always a high point. Getting your music out there for people to experience.
What can fans expect from your upcoming releases with Diss Master Records beyond “Pot Mode Jumper”?
Plenty of dark, full on tracks, taking inspiration from the old sound, with a fresh twist. There is a lot of new material in the pipeline. I am very excited about how it’s coming together.
How do you see the future of Psy-Trance evolving, and how do you hope to contribute to its growth with your music?
The sonic quality is going to continue to improve and at some point, different styles in bass may emerge and perhaps a return to a more minimal sound. I don’t think full on genres are going anywhere. I would like to get some old skool rave vibes back into my sound. Still heavily influenced by acid house.
